2016年7月31日日曜日

The Holy Chalice


The Holy Chalice

This was painted in 2008. 
When I had a group show at my university, one of the political science professors bought the painting. We became very good friends ever since.  

There are lots of textures on this painting because the clay was used for some parts. The anime-like stylisation of a figure is typical of my painting. This piece became one of my favourites, and I was glad the artwork found a great home.


©shikoh,all rights reserved.
ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
*All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月30日土曜日

Fall: Rising Above 9/11 in NYC 2011

In 2011, when I was still very active being an artist trying to make it (lolol). I often posted some of my artworks on the Craigslist (I do not use it nor recommend it anymore).

One day, a guy from NYC emailed me if I was interested in participating in a memorial exhibition for the 9/11 in NYC.
My first reaction was,,,, "This must be a scam."

I was a little scared and very cautious contacting with the guy through email. And it turned out to be a legit art exhibition commemorating the 10th anniversary of 9/11. He was also an Italian actor. 

I started to paint this at the beginning of the summer. There was a restriction on 24" width. So, all I could do was go longer since I liked working on a larger canvas.

First I wrote a poem,



Rising

all of a sudden,
the world was overwhelmed by the darkness
despair, fear, thousands of meaningless deaths

nevertheless
we rise

we rise because of hope
because of our next generation
we rise and rise again
because we are the strength of life itself

like the stars that shines in the darkest universe
the lights of our lives
dignity and hope rise over and over
and lead us to the glory of our future



 Rising

世界は突然暗闇に飲まれた

絶望、恐怖、理由のない幾千もの死



しかし私たちは立ち上がるのだ



希望のために

そして次の世代のために

何度でも

私たちは生きる力そのものだからだ



暗闇に輝く星たちのように

命の光は、尊厳や希望は

何度でも闇から舞い上がり
                                                           私たちの未来への栄光へとその道を示すのだ

Then, the painting.


Although I was not entirely happy with how the painting turned out, I shipped it out to NYC, and I was super excited about being a part of this exhibition. 


When I left my city on a plane, I was honestly little scared because it was a very significant day for the US, and there was extremely high alert on terrorism.

From the airport to NYC, I did not know which station to get off. When I stepped outside of whatever the station, I was in Harlem.
First, I was petrified because of all the things I had heard about the infamous Harem.

HOWEVER, this quickly changed.

People were vivacious there. When I got on a bus, people were friendly, talking to each other, including the bus driver. When a blind man got on a bus, everybody was helping him, giving him a hand and telling him every stop we made. So, he will know the station to get off. My heart was quickly filled with warmth, peace, and joy. 

All I had before coming here was the misconception of Harlem. I was ashamed. However, I was so delighted that I got off at the wrong station. Otherwise, I would have never known. 
 


Where we had the exhibition was actually on a median. There is this tiny building used for as an exhibition gallery.

On 9/11/2011, I was so proud to be in NYC. There were firefighters from different countries marching, motorcycles, police officers, and etc... 

It was such an uplifting atmosphere.




I became a friend with a street chalk artist who is very successful. He was drawing firefighters on the street, and many people stopped by and talked to him, including police officers. They all stayed for a while, talking to artists, talking to civilians. It was just a great feeling of the city and environment. 

Our curator invited all of us to his penthouse on the upper west, where we had a great party on the rooftop. It was just a fantastic experience. I became good friends with 2 of the artists and still keep in touch.


I stayed 2 nights 3 days. Everyday, I visited Central Park and Times Square.

My hotel was on the upper west side about a 94-96th street. I enjoyed walking down to the park at day time and Times Square at night.


 It was such an honour and privilege just being able to be a part of this whole event. I was very proud of this experience.








©shikoh,all rights reserved.
ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
 *All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月26日火曜日

missing piece/once more

 missing piece
once more

両方ともデジタルです。前に紹介したアイコンの絵を使って作りました。
Both are digital pieces. I used saints' painting that I posted before. 

©shikoh,all rights reserved.
 ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
 *All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月24日日曜日

Small Ray of Hope 2007 in NYC

Advent of an Angel
Digital

Untitled
Digital

I became very active in submitting my artworks everywhere in the United States, as well as oversea right after my graduation in 2006. 
Other than my mural professor, no other studio art professors taught us how to be professional or how to be successful because they were also failed artists. They simply did not know how either. As many students thought the same, I idiotically believed having this degree (BFA) gave some legitimacy to my artworks.

But NO.

Not at all.

So, I spent a lot of my money investing in submitting juried shows everywhere, especially in the NYC area. Those 2 pieces were the first ones to get in the exhibition in Chelsea, NYC in 2007. I was so thrilled and excited, but I had no money to travel there. Therefore, all I could do was to send two pieces to the exhibition.

Several days after the opening of the show, I was contacted by the gallery owner that one of my pieces "Advent of an Angel" was sold, and the buyer wanted to know about the piece more. It was such an encouraging feeling that someone at the exhibition bought my pieces, and it was in NYC! The same piece was also selected for another exhibition in NYC in 2009.

This exhibition in NYC, which I could not go, always takes a special part of my life, and it was the only time that my piece was sold in NYC, though I had 3 more exhibitions I participated after.


©shikoh,all rights reserved.
ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
 *All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月22日金曜日

Mural: For local business


何年も前に、地元の大きな家具屋さんで大学の恩師と一緒に描いたどでかい壁画です。

This mural was done with my university professor, who always takes me to his mural projects. This was at a local furniture store.

©shikoh,all rights reserved.
ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
 *All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月20日水曜日

F* YOU



F* YOU
oil
48"x48"

題からも説明は要らないような気がします。笑
I do not think it needs an explanation. I was pissed. lololol


©shikoh,all rights reserved.
ポチっとしてもらえると嬉しいです。励みになります。
にほんブログ村 美術ブログへ
にほんブログ村
*All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月19日火曜日

Flowers in oil





2009年頃に大学で描いた2-3時間のクイック油彩画。

時間をかけてゆっくりと写実的に描いていたのから脱出。
まだ乾かない絵具の上から、どんどんと厚い絵具をさらに重ねて描いていきます。

この時初めて、今までになかった満足感というかオーガズムにも似た様な感覚に襲われたのを覚えています。日本人はどちらかというと自分の感情や理性を抑制しながら、社会に溶け込もうとします。その反動が一気に放出されたかのような感覚でした。


この年、
初めてニューヨークに行きアブストラクト・エクスプレッショニズムの絵を間近で見ました。そして、自分もアブストラクトへ方面へも枝を伸ばしていくことになりました。

Those were done in around 2009.
For the longest time, I painted more realistically, spending a long time to articulate details and to wait for the paint to dry before putting another layer. However, all those paintings above were done within 2-3 hours. I had never tried painting on wet paint before, but I felt so compelled and fulfilled.

Painting more freely and expressively in a short time was a complete opposite from the characteristic of my typical painting style.  However, I felt those painting more honest. I believe that is why I felt enlightened.

In that year, I was lucky enough to have one of my pieces exhibited in NYC, and it gave me an excuse to visit there for the first time. Moreover, that was where I saw the Abstract Expressionism paintings in person. After that, I was never the same. This was where I started to branch out my art to abstract.

I love working on both realistic and abstract. It balances me out. I guess that is just being a human.


©shikoh,all rights reserved.
ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
 *All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月17日日曜日

to see what i want to see

too see what i want to see
digital

大学の授業で作った作品です。
ただ、写真や絵を合わせるだけでなく、もっとテキスチャーを出すために、
Phoptoshopで直接描いたランダムな線なども重ね合わせました。

This was done in one of the university classes about 7 years ago.
I wanted to add more textures because all I did before was to combine different photos and paintings. So, I started to draw directly on the Photoshop and added that to create more texture.


©shikoh,all rights reserved.
 ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
*All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*

2016年7月15日金曜日

Sunflowers



昼と夜のひまわりの絵です。
どちらも2mを超える長さで、昼のは僕が働く大学に買われて重要な会議室に飾ってあります。

兄夫婦に連れられて行った新宿のビルの上にある美術館。初めて見たゴッホのひまわりの迫力は今でも忘れられません。

それからひまわりを描くのが好きになり、昼バージョンの3連はこれが3作目です。
幸運なことに全て売れました。

下の夜のバージョンも気に入っていましたが、
大学の恩師の定年時に寄贈しました。その内もう一回描きたいと思っています。

There are day time version and nighttime version, which both are measured 8'w x 4'h. The day time version was commissioned by the university where I work. Now it is hanged in the Provost Conference Room.

My brother and his wife took me to one of the Shinjuku's museums back in 2000. That was where I saw one of van Gogh's Sunflowers. I still remember vividly it was one of those defining moments in my life. I felt like I was in a different world. I started painting sunflowers after that.

The day time version is actually my 3rd piece of the same kind. First two were sold to different buyers. I do like the night version too. I gave this piece to my mentor at the university when he retired. I would like to paint it again.



©shikoh,all rights reserved.
ポチっとしてもらえると嬉しいです。励みになります。
 にほんブログ村 美術ブログへ
にほんブログ村
*All rights of the artworks, poetry, and photography are reserved to the artist. Please do not use it/them without my permission.*